Sadie J. Valeri energizes the traditional still life by including a nontraditional element in her compositions: wax paper.
Sitting with Everett Raymond Kinstler in his National Arts Club studio, Louise B. Hafesh felt an overwhelming sense of the significance of the place and Kinstler's contribution to the art world. Read her account of Kinstler's description of his illustrious 70-year career in illustration and fine art portraiture.
Q: Painting with oils on paper is economical, but how do you display the results? A: Mount your finished painting on a panel for framing—Michael Chesley Johnson demonstrates how.
Oil painter Peter Fiore demonstrates how to use oil paints on Arches oil paper.
With subtle color and keen draftsmanship, Julio Reyes depicts sublime moments in a post modern frontier. This feature article first appeared in the May 2011 issue of The Artist's Magazine.
Learn Soon Y. Warren's watercolor painting tips for capturing the fine details of flowers and reflective highlights of crystal in this step-by-step painting demonstration.
What can an attendee expect to learn about Albert Munsell's color theory at Graydon Parrish's workshop at the the Greand Central Academy of Art? Artist and attendee Louise B. Hafesh describes her experience.
Portrait artist David Jon Kassan shares his oil painting tips and techniques in this feature article, originally published in "The Artist's Magazine."
See a painting demo by mixed media artist Sandrine Pelissier, showing how she created her newspaper collage, acrylic & ink piece, Recycling Life, a winner in The Artist's Magazine's 2013 All Media Art Competition.
Wondering how to display art on paper? Get advice from the pros: Litsa Spanos, Chris Morris and Craig Valentine of Art Design Consultants; Paul Schaff of Wellage and Schaff Fine Art Services; Michael Chesley Johnson, pastel artist; Jean Pederson, watermedia artist; and Michael Skalka, Chairman ASTM D01.57.