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Author Archives: maryb
Workshops 101: Tips From Today’s Top Instructors, by Jessica Canterbury
Painting workshops aren’t inexpensive—a two-day session will cost about $175 to $200, and a weeklong workshop typically starts in the $500 range, not including food and lodging—but they’re an investment in your fine art future. To really get your money’s worth, it only makes sense to prepare as much as possible. We asked four popular watercolor workshop instructors—Mary Alice Braukman, Eric Wiegardt, Birgit O’Connor and Ratindra Das—for their take on how students should enter into a session. According to them, a little pre-planning goes a long way.
Posted in Business of Art, Jen's North Light Picks
Tagged Art Business, Other Subject
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Something to Talk About: Strategies for Generating Referrals, by Peleg Top
Your marketing toolbox probably includes your blog, e-newsletters, social media, face-to-face networking—all the usual suspects. But to really grow your business, developing a steady stream of qualified, intentional referrals should be the tool at the top of the box. Of all your marketing initiatives, generating referrals takes the least amount of time, costs almost nothing and yields the greatest results.
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Selling Art the Way Your Customer Buys, by Karen Leland
Successful artists know that to sell their work they must adjust to the ways individual customers buy. In my work as a marketing consultant for creative professionals, I’ve observed four core customer styles you’re likely to encounter as you negotiate your way through gallery shows, art festivals and even online sales. The small shifts you make in your presentation to accommodate your customers’ styles can help you land bigger, better and easier sales.
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Pocket-Sized Promotion: Perfectly Portable Solutions, by Maggie Price
If you’re like many artists, you have a portfolio and other resources such as a website at the ready for the promotion of your work. But what do you do when someone says, “I’d like to see your work,” and you don’t have your bulky portfolio or a computer handy? The answer could be tucked neatly inside your pocket or purse. Learn how some artists are capitalizing on low-cost, portable solutions that make sharing your work a breeze.
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Secrets to Social Media Success, by Lori McNee
Social marketing eliminates the middleman and provides artists with the unique opportunity to have a direct relationship with their customers.
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Top 5 Gifts for Artistic Professionals
The New Year is just around the corner—make sure the creative professionals in your life have the tools they need to succeed. Here are 5 top resources to help your loved ones kick-start their art, design or photography careers:
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Adapt and Sell More Art in 2012, by Lori McNee
Since 1975, Artist’s & Graphic Designer’s Market has been a must-have reference guide for emerging artists who want to establish a successful career in fine art, illustration, cartooning or graphic design. Beyond up-to-date contact and submission information for more than …
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Getting the Gig: Find Work and Develop Business Relationships Through Planning, Perseverance, and Patience, by Jeff Fisher
A creative individual who is content with getting only a foot in the door may have more than an ego bruised when that door slams shut. Successfully introducing yourself to a prospective client and developing a business relationship takes planning, perseverance, and patience.
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The Inside Story: Tips from the directors of four world-class galleries will help you get your foot in any gallery’s door
Selling your artwork through traditional galleries and art dealers remains a time-tested and profitable marketing option. These dealers and galleries relish the opportunity to exhibit the works of artists they represent and promote.
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Staying Alive: Life as a self-employed artist can be filled with joy as well as cash, if you approach the challenge creatively
Whenever I’m having a rough time paying the bills, I think back to a conversation my father and I had while researching colleges during my senior year of high school. At the time, I wanted to pursue pottery at a well-respected school, but my father discouraged this direction. He insisted that people only need one teapot and a few pieces of kitchenware in their lifetime, so I’d surely become a pauper.
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