Articles

Workshops 101: Tips From Today’s Top Instructors, by Jessica Canterbury

Birgit O'Connor workshop

Painting workshops aren’t inexpensive—a two-day session will cost about $175 to $200, and a weeklong workshop typically starts in the $500 range, not including food and lodging—but they’re an investment in your fine art future. To really get your money’s worth, it only makes sense to prepare as much as possible. We asked four popular watercolor workshop instructors—Mary Alice Braukman, Eric Wiegardt, Birgit O’Connor and Ratindra Das—for their take on how students should enter into a session. According to them, a little pre-planning goes a long way. Full Article

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Pastel Pointers | Choosing Your Pastel Palette

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One of the most frequently asked questions of any pastel painter involves the pastel palette and palette box. Somehow, we all assume there is some method that holds the secret to painting success. While this is far from the truth, a well-appointed palette certainly can make the task of painting what we see, and wish, much easier. Full Article

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Art Tip File: Draw, Draw, Draw

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Pastel artist Sam Goodsell shares his tip about drawing in this “Art Tip” from The Artist’s Magazine. Full Article

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Pastel Pointers | Getting Started With an Underpainting, Part 2

In the alcohol method, I've blocked in the initial values on Wallis paper using a dull violet hard pastel set, which I then set with denatured alcohol and a brush.

One simple way to create a value underpainting is to use permanent India ink, consisting of carbon black, gum and shellac. Utilized since the Renaissance as a means for creating a permanent drawing in advance of over painting, a pastelist can dilute the ink with water to produce a variety of value washes. Once dry, various colored underpainting techniques can be applied without altering the underlying value design. If you plan to use water-based techniques over the value underpainting, be sure to obtain the permanent version of India ink. Full Article

Posted in Art Demos & Techniques, Articles, Blogs, Medium, Pastel, Richard McKinley's Pastel Pointers Blog, The Pastel Journal, Uncategorized | Leave a comment

Last Weekend to Enter Strokes of Genius 5! Deadline May 16, 2012

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The deadline for the Strokes of Genius 5: Best of Drawing competition has been extended through May 16, 2012. The theme of this year’s contest is “composition.” Artwork can be in any dry medium, or wet medium applied in a … Full Article

Posted in Acrylic Artist Magazine, Articles, Blogs, Colored Pencil, Competitions, Composition, Drawing, Jen's North Light Picks, Medium, Pastel, Shop, Subject, The Artist's Magazine Blog, The Pastel Journal Blog, Watercolor Artist Blog | Tagged , , | Leave a comment

How to Draw People With the Block-in Method

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Learn how to draw realistic people using a block-in and gridding to measure and map the human figure step by step. Full Article

Posted in Art Demos & Techniques, Art Materials & Tools, Articles, Drawing, Medium, Portrait / Figure, Subject, The Artist’s Magazine | Tagged , | Leave a comment

Bonus Articles from the July/August 2012 issue of The Artist’s Magazine

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Bonus articles from The Artist’s Magazine: Copyright Law Q&A, Free Art Video Previews, Arthur Melville and His Influence, Ways to Map the Figure, Portrait Artist Carl Samson and more. Full Article

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Star Wars Art: Oil Portrait of Padme by Carl Samson

Padme Resplendent With Naboo Mandala (oil, 24x20) by Carl Samson (painting featured in the book Star Wars Art: Visions)

Faced with the challenge of creating a Star Wars themed piece for George Lucas’s book Star Wars Art: Visions, portrait artist Carl Samson decided to paint an oil portrait with gold leaf on wood panel of Padme (Queen Amidala). Read the story. Full Article

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11 Art Extras from The Artist’s Magazine

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The Artist’s Magazine and the ArtistsNetwork have so much to offer you! Here find links to awesome fine art websites and fine art products – some of which are free! Full Article

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Art History: A Watercolor Artist You Should Know Of

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Contemporary watermedia artist Stephen Quiller tells the story of The Glasgow Boys, particularly E.A. Walton and Joseph Crawhall, 19th-century painters who were influenced by the little-known, innovative Scottish watermedia painter, Arthur Melville. Full Article

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