Egg tempera artist Koo Schadler used a host of techniques to create Purple Finch and Bachelor Buttons. Learn how she approached her egg tempera painting process and achieved her many textural effects with this step-by-step demonstration.
Are oil pastels compatible with other (non-oil) pastels, and do the same application techniques apply? Do they have any different requirements for such things as supports, priming and fixing? Find out in this "Ask the Experts" article!
If you haven’t checked out our sister site, IMPACT-books.com, lately, you might want to head over and see what’s up. We’ve been sharing some great how to draw and paint demonstrations on everything from fantasy art and science fiction to comics and our particular favorite: manga art. We even created a holiday gift guide...
How could casein have been practical, especially among pre-1960s illustrators, with whom it was so popular? How did they avoid the color staining and contamination? Find out in this "Ask the Experts."
Koo Schadler makes transfer paper in “any color of the rainbow,” using pigments or pastels, solvent and parchment paper. Find out how and why in "Ask the Experts."
Learn how to get started using 3D modeling in your digital art with these quick tips from artist McCrystle Wood.
Mixed media artist Cynthia Lockhart brings a painter's eye to fabric constructions, coupling a pitch-perfect sense of color with sophisticated shape relationships in her collages.
John N. Agnew, featured in The Artist’s Magazine (July/August 2012) has made a name for himself as a scratchboard artist. “I enjoy acrylic for painting because it lets me work quickly,” he says. “I enjoy scratchboard for its ability to produce very precise detail and an etching-like line quality.” He cautions that the work...
With a scientist's precision, artist John N. Agnew captures the textures of "lesser-loved" species and their habitats on scratchboard, and teaches you how he does it.
Ephraim Rubenstein's news series of mixed media drawings of ancient temples and cathedrals harnesses the expressive power of the wax-resist method. Here, he shares a step-by-step demonstration of how he created Selinunte II (mixed media, 50x38). Don't miss this free demo of his work.
This article outlines 7 print making tips and suggestions for making art reproductions with your giclée print maker.