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New Video This Week!Linda Kemp's Negative Painting Techniques: Simplifying Color
Learn how value, hue and tone can add to negative painting techniques for vibrant watercolor and acrylic paintings. Learn more about Linda Kemp's Negative Painting Techniques: Simplifying Color here.Get instant online access to this video, and many other art workshop videos, at ArtistsNetwork.TV—now available for viewing on your iPad too!
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New Spring Issue of Inspired!
A FREE Digital Magazine for Artists!
Looking to get inspired and stay inspired? Check out the latest issue of the digital publication, Inspired Magazine. Boost your creativity with fun, new ideas and practices for artists of all types! Read your FREE COPY HERE.
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Pastel Pointers with Richard McKinley | IAPS 2013 | A Pastel Family Reunion
International Association of Pastel Societies 2013 | A Photo Gallery
For pastel artists, the biennial convention of the International Association of Pastel Societies (IAPS), which met last week for their 10th gathering, is pretty much heaven on earth. Check out our photo gallery highlighting a few of the many inspiring moments …
Posted in Get Pastel Journal, the Ultimate Resource for Pastel Artists, Pastel Journal Blog, Top Art Blogs Comments Off
Painting Sites | Revisiting Old Friends
Pastel Techniques | Answers for a “Mounting” Problem | Part 2
Most custom framing businesses are capable of doing various dry- and wet-mounting methods of pastel surfaces that meet current archival standards. But, due to the expense, many artists choose to do it for themselves. When doing it yourself, your first consideration has to be the archival quality of the products you use …
Pastel Techniques | Answers for a “Mounting” Problem, Part 1
Since the inception of the Pastel Pointers Blog nearly six years ago, one of the most frequently ask questions I hear concerns how best to mount pastel papers in advance of wet underpainting techniques. Artists that utilize a wet painting technique on a paper surface understand the issues involved in retaining a flat working surface. This has lead to procedures involving sizing, stretching and mounting of paper prior to painting.
Pastel Pointers | Shades of Green, Part 2
Green can be a tough color to handle, but with color temperature finesse, sensitive observation, wise selection, and artistic permission to sometimes tweak reality for the sake of a harmonious outcome, a successful lush painting can be achieved.
Posted in Art Mediums & Drawing, Get Pastel Journal, the Ultimate Resource for Pastel Artists, Landscape Painting: Techniques & Tutorials, Pastel Art Techniques Painting Landscapes & More, Richard McKinley's Pastel Pointers Blog, Subject, Top Art Blogs Tagged Landscape Painting: Techniques & Tutorials, Pastel Art Techniques Painting Landscapes & More Comments Off
Pastel Pointers | Shades of Green, Part 1
Put two or more landscape painters together and inevitably, the topic of how to handle green arises. Skillfully finessing green requires an understanding of its relationship to and interaction with the other colors of the spectrum and ultimately a degree of theatrics. These skills are even more pertinent during the season of Spring when the bones of Winter begin to adorn themselves with the most intense green foliage.
Painting En Plein Air, Part 2 | Field Sketch Painting
In last week’s blog post, I described the thumbnail/value sketches involved in the first part of a plein air painting process I refer to as “Field Sketch Painting.” Once these sketches are evaluated to see if the composition is worthwhile, it is time to start the pastel painting.
Posted in Art Articles: Education & Topics, Get Pastel Journal, the Ultimate Resource for Pastel Artists, Landscape Painting: Techniques & Tutorials, Richard McKinley's Pastel Pointers Blog, Subject, Top Art Blogs, Top Art Techniques & Tips Tagged Landscape Painting: Techniques & Tutorials, Pastel Art Techniques Painting Landscapes & More Comments Off
Painting En Plein Air, Part 1 | The Field Sketch
Every serious artist understands the importance of working from life. Whether it’s the still life, portrait or landscape, there’s no reference material that can replace the experience of interpreting subject matter one-on-one. While it’s never easy to progress from painting from photo reference to painting from life, it takes special concentration to do so in the landscape with the ever-changing lighting and conditions. This, along with the overwhelming vastness of the landscape, can stymie even the most technically advanced pastelist.
Posted in Art Articles: Education & Topics, Art Mediums & Drawing, Get Pastel Journal, the Ultimate Resource for Pastel Artists, Landscape Painting: Techniques & Tutorials, Pastel Art Techniques Painting Landscapes & More, Richard McKinley's Pastel Pointers Blog, Subject, Top Art Blogs Tagged Landscape Painting: Techniques & Tutorials, plein air painting Comments Off
Maggie Price | A Pastel Artist Remembered
On April 4, 2013, the pastel community lost one of its most beloved champions, Maggie Price, to a short but courageous battle with brain cancer. Maggie began working with the medium in 1990 and her love for it blossomed eight years later into The Pastel Journal magazine, which she co-founded with fellow artist and friend, Janie Hutchinson. Maggie served as editor and art director, while her husband Bill Canright, an artist as well, handled the advertising department.
