Whether or not Thomas Woodruff’s paintings are to your taste in terms of subject matter is one thing—although who doesn’t love maniacal butterflies and tigers prowling through lush, jewel-tone landscapes?—but the artist definitely knows how to put a painting together compositionally. And when it comes to painting with acrylics, the surprising subtlety, formations of space, and the variety of surface treatments that he utilizes makes it obvious that the man knows what he’s doing.
Looking at all Woodruff’s paintings I was amazed by all the angles the artist incorporated into the compositions. There were diagonals cut by verticals, ‘X’ arrangements with objects circling around them, hourglass formations, a series of verticals disrupted by horizontal banding-the list goes on. But it’s plain to see that Woodruff isn’t doing this just for effect. He doesn’t want to confuse or repel the viewer. Instead, these strong though fairly complicated compositional arrangements give us a way to experience the work without getting overwhelmed—the eye can simply follow the path the artist has created.
In terms of acrylic painting, I have to say I was surprised that Woodruff was actually painting with acrylics. The “bold richness” so often ascribed to oil paintings is an apt description for his acrylic works as well. The amount of paint he uses is fairly consistent across any given work, but he really is a master manipulator when it comes to varying the wetness of his brushstroke. He works wet into wet, wet on dry, and even what looks to be dry over dry to create a stippled effect in some passages.
For more insight into acrylic painting applications, I recommend the latest issue of Acrylic Artist. You’ll find informative articles on products and painting techniques, as well as a watershed of inspiration in the form of works of professional artists who are doing amazing things with their work. Every painter will find something worthwhile. I can just about guarantee it. Enjoy!