Creative, Sharp and Experimental Ways of Painting
Jaimie Cordero is a fearless artist. She builds drama in luminous tropical abstracts through creative compositions, sharp value contrasts and experimental color schemes. Learn some of her secrets and tools for applying color and capturing watercolor texture below.
Tools for Watercolor Texture
- Small hardware-store paint texture rollers you can use for an overlay or as part of your underpainting
- Homemade rubber stamps
- Her collection of carved wooden fabric-printing stamps from India
- Small plastic spray bottles, for spraying pre-mixed color onto her painting
- Toothbrush, for “spattering” paint
- Kosher salt, to apply onto washes
- Paper towels and shelf liners, to use as pouring filters
- To get started, Cordero uses Adobe Photoshop to edit her digital photographs and develop a concept for a new painting or series. Once the image has been finalized, she sketches it onto drawing paper.
- For drawing, she prefers Faber-Castell GRIP 2001 HB pencils. These are triangular in shape and easy to grip. She recommends the Staedtler Mars white plastic eraser, which, she says, cleans up pencil and transfer paper smudges nicely.
- With the drawing in good shape, Cordero makes a copy or an enlargement onto watercolor paper sized 5×7 or 8×10 inches. These copies serve as the template for pre-painting value studies and color scheme tests.
- Using tracing paper or a sunny window, the artist then transfers her final drawing to watercolor paper with a fine-tip rolling pen. Cordero’s paper of choice for her final painting is 140-lb. 100-percent cotton rag cold-pressed watercolor paper by Arches or Winsor & Newton. She stretches and staples her paper to Gater Board, which, she finds, remains rigid and prevents warping.
- Cordero loves the “brushless” look; she typically wets an area or shape before dropping color into it, allowing the pigment to take its own shape and form. The brushes she chooses—Silver Brush Black Velvet black squirrel-mix brushes—hold a great deal of water and promote the look she aims to achieve. She uses them in sizes 8, 10 and 12 (rounds); ¾-inch and 1-inch (flats); and the “cat’s tongue” variety, sized large. She uses Incredible White Mask liquid masking fluid to save white areas of the paper and a plastic concrete mixing tub to pour her base washes.
A version of this story first appeared in Watercolor Artist magazine. To receive the magazine, click here to subscribe.
For the learning artist
If you want more painting techniques and tips on watercolor texture, then check out Gina Lee Kim’s video workshop, Fun with Watercolor: Texture Effects. You’ll learn more than 20 traditional and nontraditional techniques for painting watercolor texture. Watch the preview trailer below for a quick glimpse into some of the ways Gina incorporates textures to create birch trees.
Like what you see? Stream the full-length video instruction here. And enjoy this free video demo from another of our favorite instructors, Jean Haines!