Use Color Trails to Lead the Viewer's Eye
The Wow of Watercolor: Transparent and Opaque Effects in Landscapes and Figures
Best Practices: Hanging Your Own Show
Problem Solving When You Work From Life
Dale Laitinen, Robin Purcell, Michael Reardon and Mark Workman harness the energy of free-flowing watercolor in dynamic landscapes. By Maureen Bloomfield
Believing the Illusion
Kate Sammons works outward from a focal point to render a convincing representation in graphite, charcoal or oil. By Judith Fairly
With a distinctive line and limpid color, Joan Becker populates a universe with spirited characters. By Ruth K. Meyer
Christopher Pierce ingeniously solves the quandaries that follow from his commitment to work from life. By Michael Lacoy
Columns and Departments
Wet-into-wet watercolor is the way to create atmosphere. By Michael Reardon
The Artist's Life
Children's book illustrator Jan Brett draws a dassie; Daniel E. Greene depicts Natalie Portman as Queen Amidala from Star Wars; botanical artist Wendy Hollender tills a field; and more. Edited by Cherie Haas
Shows to see this summer. Edited by Cherie Haas
Lead the viewer's eye through your composition with color notes strung together as a trail. By Arleta Pech
Use two-point perspective to draw architectural structures. By Laurin McCracken
Do it yourself: Learn how to hang your own show. By Jonathan and Marsha Talbot
Check out new materials on the market. Edited by Cherie Haas
Alfred Sisley places a repoussoir to invite the viewer into an Impressionist landscape. By Jerry N. Weiss
A computer programmer becomes a colored pencil artist. By Sheila Cantrell
|Product Type||Magazine Download|
|Instructor||The Artist's Magazine|
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